 |
SVP logo, feat. Marsh pick |
How happily I smash rocks with thee....
Today, a member of the
preplist asked for photos with scale for use in recreating that ubiquitous paleontology icon, the Marsh pick. In the VPL prep lab archives I've come across a letter from Wann Langston to someone at the AMNH (or maybe it was a response, anyway, correspondence of some sort from somebody to somebody) from the 60s or 70s discussing the multitude of pick heads boxed in the basement with a price of $7 plus postage for anyone wanting one. Damn that those days are behind us! As soon as I find that letter again I'll post it here.
What is a Marsh pick, some might ask? Well, youngster, before the rise of the
Estwing Rock Hammer
, the Marsh pick was "the universal field tools of vertebrate paleontologists," as described by Ned Colbert in "A Fossil Hunter's Notebook"(1980, p. 131). His wife, artist
Margaret Colbert, incorporated it into the design for the cover art of the Society of Vertebrate Paleontology News Bulletin, and it was later adopted by the SVP as the organization's official logo, which can now be found on all sorts of nifty SVP
swag (proceeds of which go to support the Society.) I've compiled what information I have at hand here in this post, and would be highly interested in hearing from anyone who can add to the fact or lore associated with this instrument.
The first printed reference I have seen relating to our story comes thanks to blogger Michael Ryan, who contributed the following bit of paleo history to the internet in 2006 (there were blogs way back in 2006? Holy crow!) Beyond this, I do not know much about the genesis of the famous whacking tool.
I have been told that this is not the earliest example of such a tool, and that it was devised by O.C. Marsh himself, and it is certainly possible that Brown modified the design in such a way as to improve it. Additions like the U-shaped spring clip might be what led him to claim inventor status, and that Brown's dinosaur pick only later became synonymous with Marsh's. But, like I said, I don't know. It is exceedingly difficult to tell from historical photos whether pictured picks are the ones we are discussing or standard large railroad picks. There is a photo in Dingus and Norell (2010, Fig. 23) of Brown in the Red Deer River in 1912 that looks Marsh picky. Chime in if you can prove the case one way or the other.

The next Marsh pick sighting of which I am aware is courtesy Charles Camp, in Methods in Paleontology (1937). After discussing how it should only cost $10 a day to hire a team of horses and a "Fresno" scraper (a plow) to clear overburden, Charlie gets into the nitty-gritty of pick selection. His unapologetic opinion follows as such:
Tools for excavating include: shovels, large railroad picks, small "drift" picks, paleontological or "Marsh" picks (fig. 4c), which, by the way, are more expensive and scarcely better than a good, light "drift" pick (fig. 4a). A crowbar is sometimes handy.
Ouch. But something changed the minds of a generation of paleontologists in the 43 years between Camp's thoughts and Colbert's observation. Although, I don't use one in the field very often either, my long-handled Estwing
rock hammer
has served me well for >10 years. [A brief aside: I can't stand those Estwing
Geo/Paleo Picks
. I just find them to be sized all wrong. Too short to be useful as a two-handed earth mover, too long (only slightly, though, if you're 6' plus) to be used accurately as a one-handed rock hammer. Also, the weight is all wrong. It fills a middle niche that doesn't really exist, in my opinion. To move serious rock, you need mass X acceleration, a strong point, and the leverage of a long handle for both a decent swing and prying power once the tool tip is embedded in your target. Target, I said, not the fossil. I suspect that if you think the Paleo Pick is for you, a few lessons on the proper mechanics of a good 3lb pickax might change your mind. Oh! And the padded handle! You cannot slide your hand along the length of haft as you swing, which results in even more and less efficient labor! And the stupid handle is round! You've got to squeeze it tighter to keep it from rotating, which leads to
even more fatigue! Somebody's gonna hurt themselves with one of these.] Ok, that wasn't brief, and we haven't even addressed the original request, pictures and measurements of the tool! From here on out, I'll let the pictures do the talking, with details in the photo captions. Like I said, I want to hear more if you've got sources!
[You can click on the pictures here for full size images]
 |
Two examples of Marsh picks, with my Estwing 22oz long handled rock hammer for reference. The stainless steel pick on the left was recreated as part of a commemorative run for the 2007 Austin SVP meeting. This design was replicated from Ned Colbert's personal Marsh pick (the very same SVP logo model) now owned by his grandson, Matt Colbert. A commemorative coin was incorporated into the side with the Austin meeting logo embossed on it, and picks were made in both stainless and tool steel. This version is most similar to the Barnum Brown designed model, complete with U-shaped spring clip to hold the head in place without damage to the ash handle. The pick on the right was described to me by Tim Rowe as being a representative of the "Carnegie strike" of a slightly different pattern. This is distinguished most easily by the inclusion of the somewhat sharp shoulders where the spikes meet the eye. This tool is covered in paint and rust, and has been battered and reground, but I suspect it was cast rather than forged, and those shoulders are there to add strength to the transition between spike and eye. This may be why overall dimensions are a bit greater. The Colbert pick was made with both 22" and 36" handles, and the "Carnegie" pick has a 21.5" handle. |
 |
"Carnegie" Pick: 15.25" OAL, 1.625" max height Colbert pick: 13.25" OAL, 1.625"max height |
 |
"Carnegie" pick: 1.25" at widest part of eye, .4375" most of length of spike before both point and blade. Colbert pick: 1.25" at eye, .3125" width of spike |
|
|